Eli Winter
ABOUT
Eli Winter is a composer, self-taught guitarist, essayist, and Houston native. His music synthesizes aspects of folk, rock, jazz, and devotional music, maintaining a waggish disregard for genre constraints emblematic of Chicago, his adopted hometown. Across six LPs and counting for labels like Three Lobed and American Dreams, the scope of his music has grown to include guitar soli, instrumental duets, bandleading, and collaborations with a wide range of artists including Yasmin Williams, jaimie branch, and Caroline Rose. His concert history spans prestigious music festivals like Primavera Sound and Big Ears, pristine listening rooms, museums, university chapels, laundromat bars, and small rooms in shotgun houses.
His new album, A Trick of the Light, is an elegantly crafted and vibrant collection that finds the composer and bandleader at the height of his powers. The album opens with a dazzlingly intense arrangement of Don Cherry and Ed Blackwell’s “Arabian Nightingale” – a statement of intent that whips up a sonic storm. From there, Winter showcases his own compositions, from the muscular “Cracking the Jaw” to the dreamy expanse of the title track. Elsewhere, an abstract and concentrated rendering of Carla Bley’s masterpiece “Ida Lupino” forms the literal and emotional centrepiece of the record.
Winter remains a natural collaborator, and A Trick of the Light welcomes star turns from David Grubbs, Mike Watt, Kiran Leonard (on a left-handed cittern, no less), among others. It’s testament to his restless curiosity and omnivorous musical sensibilities. In his own words, it’s a record that has “nothing to do with genre or idiom or homage or pastiche. It has everything to do with learning what the music wants, how it feels, and trusting when it wants something or doesn’t want it.”
His new album, A Trick of the Light, is an elegantly crafted and vibrant collection that finds the composer and bandleader at the height of his powers. The album opens with a dazzlingly intense arrangement of Don Cherry and Ed Blackwell’s “Arabian Nightingale” – a statement of intent that whips up a sonic storm. From there, Winter showcases his own compositions, from the muscular “Cracking the Jaw” to the dreamy expanse of the title track. Elsewhere, an abstract and concentrated rendering of Carla Bley’s masterpiece “Ida Lupino” forms the literal and emotional centrepiece of the record.
Winter remains a natural collaborator, and A Trick of the Light welcomes star turns from David Grubbs, Mike Watt, Kiran Leonard (on a left-handed cittern, no less), among others. It’s testament to his restless curiosity and omnivorous musical sensibilities. In his own words, it’s a record that has “nothing to do with genre or idiom or homage or pastiche. It has everything to do with learning what the music wants, how it feels, and trusting when it wants something or doesn’t want it.”
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